N.104 is inspired by the visual language of 1990s Vogue Asia editorials and Japanese corporate cinema of the 1980s, combined with the architectural discipline of origami.

The collection explores authority expressed through restraint. It does not rely on ornament or excess. Instead, it builds power through precision, proportion, and intentional structure.

In 90s Asian editorials, tailoring was controlled and composed. Figures occupied corporate interiors with quiet dominance. Japanese cinema of the 80s added atmosphere — warm sodium lighting, deep shadows, structured silhouettes framed against urban windows. Power was internal, not performed.

Origami introduces a third dimension to this narrative.

Not as decoration, but as construction.

The philosophy of origami — where a single surface transforms through folding, where every crease has purpose — informs the garment architecture. Clean folds, controlled volume, sharp angles, and deliberate structural tension define key pieces in the collection.

BEAUTY OF DISTANCE

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BEAUTY OF DISTANCE

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